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Special Screenings| Don’t Look At The Finger | Hetain Patel
November 9, 2020 - November 11, 2020
We are delighted to be hosting special screenings of Hetain Patel’s short film ‘Don’t Look At The Finger’ at Chatterjee & Lal on 9th, 10th & 11th of November. The film will be on loop between 12 noon to 5 pm. Drop by anytime!
We are hosting these screenings to celebrate Hetain win at Kino der Kunst 2020’s international competition for the best short film!! We are over the moon!
The jury included bigwigs Luca Guadagnino (Film Director), Beatrice Bulgari (Producer), Andrea Lissoni (Artistic Director Haus der Kunst), Camille Henrot (Artist). The line up of artists Hetain was up against is nothing short of scary – https://kinoderkunst.de/…/international-competition-2020/
In the last 18 months Hetain has won this prize as well as the Jarman Award 2019, was selected for the British Art Show 9 and the Asia Society Triennial, New York. During this period his work has been acquired by The Tate and the British Council Collection.
Patel has a YouTube channel and his TEDGlobal talk in 2013 has had almost 3 million hits. Hetain is an artist who works with multiple mediums. He has presented live work, and his films, photography and sculpture have been exhibited and screened at institutions and non-profit organisations all over the UK, including: Whitechapel Gallery, Tate Modern, Sadler’s Wells, Barbican, Southbank Centre, Royal Opera House, Manchester Art Gallery, New Art Exchange, mac, QUAD, and many more.
His collaborations with amazing artists on sound, film, costume, choreography have enriched his career and brought him to where he is today. He has a loyal following of private collectors who eagerly await his outings and follow him on social media to keep up with his happenings.
Hetain is a fantastic artist who is disciplined and does so much that it is impossible to keep up!! His energy invigorates the gallery and constantly inspires us to do more. We are extremely proud of him!
“It is Patel’s skilled precision in realising an almost seamless harmony of his culturally and historically divergent source material that gives his installations a distinctive resonance”
The Guardian
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