BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Chatterjee & Lal - ECPv6.2.3.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Chatterjee & Lal
X-ORIGINAL-URL:https://chatterjeeandlal.com
X-WR-CALDESC:Events for Chatterjee & Lal
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20190101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190522
DTEND;VALUE=DATE:20190714
DTSTAMP:20260426T010202
CREATED:20190604T102537Z
LAST-MODIFIED:20201106T060256Z
UID:2886-1558483200-1563062399@chatterjeeandlal.com
SUMMARY:Nasreen Mohamedi (1937 – 1990) | Here\, It Is Still
DESCRIPTION:The exhibition presents select work by Nasreen Mohamedi encompassing a period of over twenty-five years. There is a concentration on her late line drawings – the austere graphite and ink works she executed shortly before her death in 1990. \nNasreen Mohamedi trained both in London and Paris before returning to India in the early 1960s. There are two small drawings and one collage in the exhibition that date from this period; they exhibit a looser line than is evident in works from the 1970s onwards. Having moved to Baroda to teach\, the last twenty years of the artist’s output would see a turn to the use of architectural drawing tools in order to produce geometric compositions. From the dizzying complexity of the 1970s\, an ever-increasing economy of line is evident through 1980s. \nThis coincides with the period in which Nasreen’s health deteriorated\, making it ever harder for her to control line. There is one vintage photographic print included in this exhibition. Photography seems to have been a constant interest through much of the artist’s career\, although the extant vintage prints are difficult to date precisely. \nNasreen Mohamedi (1937 – 1990) was an artist and educator\, active from the early 1960s until her early death in 1990. Recognised during her lifetime as a leading abstractionist of her generation\, her legacy has only grown since her death. Nasreen Mohamedi’s works have been exhibited at The Kiran Nadar Museum of Art\, Delhi; The Metropolitan Museum\, New York; The Guggenheim Museum\, New York; Tate Liverpool; and The Reina Sofia in Madrid.
URL:https://chatterjeeandlal.com/event/nasreen-mohamedi-1937-1990-here-it-is-still/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190717
DTEND;VALUE=DATE:20190728
DTSTAMP:20260426T010202
CREATED:20190711T095241Z
LAST-MODIFIED:20190712T081205Z
UID:2989-1563321600-1564271999@chatterjeeandlal.com
SUMMARY:Ashish Avikunthak | Film Screenings | July 2019
DESCRIPTION:Ashish Avikunthak\nVrindavani Vairagya | Dispassionate Love \nSeminal moving image works 1999 – 2019\n17 JULY\n6.30 pm registration | 7 pm screening\nPREMIERE Virndavani Vairagya (Dispassionate Love)\, 2017\, DCP\, Color and B&W\, Bengali\, 91 minutes \n18 JULY\n11 – 6:30pm screenings in rotation\nVakratunda Swaha\, 2010\, 35mm\, Color and B/W\, Hindi\, 22 minutes\nKalighat Athikatha (Kalighat Fetish)\, 1999\, 16mm\, Color and B&W\, Bengali\, 22 minutes \n6.30 pm registration | 7 pm screening\nVirndavani Vairagya (Dispassionate Love)\, 2017\, DCP\, Color and B&W\, Bengali\, 91 minutes \nTill 27 JULY\n11 – 7 pm screenings in rotation\nVakratunda Swaha\, 2010\, 35mm\, Color and B/W\, Hindi\, 22 minutes\nKalighat Athikatha (Kalighat Fetish)\, 1999\, 16mm\, Color and B&W\, Bengali\, 22 minutes \n_ _ _ _ _ _ _ \nSpecial screenings of Virndavani Vairagya (Dispassionate Love) can be organised on request.\nVrindavani Ecatalogue
URL:https://chatterjeeandlal.com/event/ashish-avikunthak-film-screenings-july-2019/
LOCATION:Chatterjee & Lal\, India
END:VEVENT
END:VCALENDAR